If we wish to see the lady who walked off the road, into his life, and stole his coronary heart once more – this has to occur.
Richard Gere revealed the one method followers would get a sequel to his and Julia Roberts’ 1990 rom-com “Pretty Woman” is that if the writing was as much as par.
“It all comes down to whether or not there’s a good script,” the actor, 75, informed Individuals on Wednesday.
The movie — whose director Garry Marshall died in 2016 at age 81 — adopted Gere’s character Edward Lewis, a rich businessman who hires Roberts’ Vivian Ward, a intercourse employee, whereas on a enterprise journey in Los Angeles.
The pair falls in love, and the film’s last scene ends with a kiss to Roxette’s “It Must Have Been Love.”
Wanting again on the rom-com, Gere mentioned on The Hollywood Reporter’s “Awards Chatter” podcast in December, “I’m so proud of that movie and proud of the work process that we did to create that movie.”
“And I’m not only proud,” he gushed, “I’m thankful for that movie because it allowed me to do a lot of other things too.”
Taking a second to dissect enjoying the suave businessman, the Spain resident recalled, “There was no character.”
“So, I read this thing, and I said, ‘It’s not for me.”
Gere felt Edward was “just a suit,” however Marshall assured the star that, together with Roberts, 57, they might “find” the character.
“We ended up, you know, really trying to find a character there that made sense within the structure and, you know, the essence of what that piece was,” Gere defined. “To make it heartfelt, to make it charming, make it fun, make it sexy, you know? And we all loved each other. Great trust, we had a wonderful time, and we had no idea that it was gonna be what it was.”
In 2024, the “Longing” star additionally revealed that his and Roberts’ “Pretty Woman” piano scene was improvised after a dialog with Marshall.
“I haven’t seen that in a long time, too. It was a sexy, sexy scene,” he mentioned, per The Hollywood Reporter.
“This was never in the script,” he admitted. “We didn’t know how we would use it later. It ended up being integral to the film.”
Within the notorious scene, Edward performed the piano at their resort in the course of the night time whereas Vivian walked in sporting a bathrobe. He then requested the workers to depart them be as they made out on the piano.
“Garry said to me, ‘What do you do late at night in a hotel?’ And I said, ‘Well, I’m usually jet lagged, [that] would be the time I’m in a hotel. So I’m up all night and usually there’s a ballroom somewhere or a bar, and I’ll find a piano and I’ll play the piano,’” Gere recounted. “He mentioned: ‘Well, let’s do one thing with that.’ “
Alas got here the makeout between Edward and Vivian.
“So we just basically improvised this scene, and he said: ‘Play something moody,’ ” Gere remembered. “I just started playing something moody that was this character’s interior life.”
However as fond because the solid — which additionally included Laura San Giacomo and Héctor Elizondo — is of their cult traditional movie, Roberts admitted that she doesn’t suppose the film could be made within the modern-day.
“A lot has changed in the industry…I don’t really think you could make that movie now, right?” Roberts informed The Guardian in 2018. “So many things you could poke a hole in, but I don’t think it takes away from people being able to enjoy it. It really is not a measure of talent, particularly in the beginning. It’s a measure of good fortune – and being able to have your wits about you enough to make something out of that good fortune.”
Not one of the solid knew that the decades-old movie would stand the take a look at of time.
“It’s a 30-year-old movie,” Roberts informed Grazia in 2018. “I think anytime you’re going to reach back to bring something into the present, there’s going to be trouble making the connection for a variety of reasons. They could be political, cultural – they could be just dated clothing – so I don’t think it’s a reasonable testament to challenge the question of now, to use that as a template of ‘Would that work now?’. We have no way of knowing that.”
